P. J. Vernon has perhaps done the previously unthinkable: set himself apart from the usual mold of gay fiction with his sophomore novel, Bath Haus. Unlike more recent efforts in the gay male genre, namely Jonathan Parks-Ramage’s Yes, Daddy, inexplicably praised with generic words like “propulsive” and “ambitious” (sort of a polite way of saying that the ambition was not achieved), Bath Haus turns expectation on its ear through a thriller … Continue reading Bath Haus Asks the Question: Aren’t Gay Sugar Daddies the Ultimate Villain?