Category: Criticism

Criticism, Essay

Christian Kracht’s Eurotrash: Another Bret Easton Ellis-Style “Romp” That Examines the Guilt of Privilege—and How That Guilt Ultimately Serves Nothing But the Status Quo

If Christian Kracht’s debut novel, Faserland, was considered a “rip-off” of Bret Easton Ellis’ general style, Eurotrash would also like to submit itself for consideration. After all, its autofiction genre is very much in keeping with what Easton Ellis did for 2005’s Lunar Park (back when “metafiction” was the chicer word to use). And while most people associate BEE with Less Than Zero (which also, … Continue reading Christian Kracht’s Eurotrash: Another Bret Easton Ellis-Style “Romp” That Examines the Guilt of Privilege—and How That Guilt Ultimately Serves Nothing But the Status Quo

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Book Review, Criticism

Perfection: Not So Much an Attack on Millennials as the Things That Shaped Their Formative Years—In Other Words, the Internet

From the very outset of Vincenzo Latronico’s fourth novel (and the first to be translated to English), Perfection, there is a simmering contempt that’s always waiting to boil to the surface, but never does in quite the direct way one might have ordinarily expected before emotional suppression and passive aggression became de rigeur. A description that can, in effect, describe what it means to be … Continue reading Perfection: Not So Much an Attack on Millennials as the Things That Shaped Their Formative Years—In Other Words, the Internet

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Criticism, Essay

Why Emerald Fennell’s Adaptation of Wuthering Heights Is Such a Hot-Button Issue for the Stodgier Side of the Literary World Right Now (And Why It Shouldn’t Be)

It’s not any kind of “shocking revelation” that what’s left of the “book business” is mostly in shambles. And that what it takes to “monetize” literature in the present is a decidedly “bread and circuses” approach. Never was that made more apparent than the advent of “BookTok.” However, with Emerald Fennell’s latest film, a “version” of Wuthering Heights (that she opted to put in quotation … Continue reading Why Emerald Fennell’s Adaptation of Wuthering Heights Is Such a Hot-Button Issue for the Stodgier Side of the Literary World Right Now (And Why It Shouldn’t Be)

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Criticism, Essay

Michael Douglas Movies Document a “Crisis of Masculinity” Trajectory, Or: Jessa Crispin’s What Is Wrong With Men Answers That Question and Then Some

It’s no secret at this juncture that there has been an ongoing “crisis of masculinity.” What that means, ultimately, is that most hetero men can’t fathom why their continued performance of outmoded masculine “ideals” aren’t translating and/or attracting women in the present. Enter Jessa Crispin to explain it all via the films of Michael Douglas, in a book titled What Is Wrong With Men. With … Continue reading Michael Douglas Movies Document a “Crisis of Masculinity” Trajectory, Or: Jessa Crispin’s What Is Wrong With Men Answers That Question and Then Some

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Book Review, Criticism

The Uptown Local, Or: Listening to On the 6 Might Be a Better Experience

In 1999, Jennifer Lopez released her first record, On the 6—a title that alluded to her commute from the Bronx to Manhattan while working her early jobs as a dancer. Perhaps Cory Leadbeater thought better of titling his memoir the same, opting instead for The Uptown Local, which says as little about Joan Didion as the book itself…but “at least” readers know he had to … Continue reading The Uptown Local, Or: Listening to On the 6 Might Be a Better Experience

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Book Review, Criticism

Bad Blood: Intermezzo Explores the Complexities of Brotherly Bonds, Broken or Otherwise

Sally Rooney is no stranger to exploring the complexities of the (monogamous) romantic relationship, but with her fourth novel, Intermezzo, the author challenges herself to explore the even more particular emotional intricacies of the sibling dynamic. Namely, among two brothers, Ivan (the youngest at twenty-two) and Peter (the eldest at thirty-two). The Koubek brothers, if you will. Although normally “estranged” (for all intents and purposes), … Continue reading Bad Blood: Intermezzo Explores the Complexities of Brotherly Bonds, Broken or Otherwise

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Book Review, Criticism, Essay

Not A Girl, Finally A Woman: MARINA’s Eat the World

Like many pop stars who weren’t yet pop stars in the early 2000s, Britney Spears was both an inspiration and a cautionary tale to someone like MARINA. Her influence undeniable on every millennial from Taylor Swift to Charli XCX. In 2021, MARINA paid homage to that influence in a “justice for Britney” sort of way with the “Purge the Poison” lyrics, “2007/When Size 0 was … Continue reading Not A Girl, Finally A Woman: MARINA’s Eat the World

Genna Rivieccio2 Comments
Book Review, Criticism

Ingmar Bergman’s Persona Incarnate: Didion & Babitz by Lili Anolik

Lili Anolik’s Didion & Babitz is out November 12th via Simon & Schuster. By now, it’s not exactly a new take that Eve Babitz and Joan Didion are two sides of the same California-centric coin. Except that the latter was always given far more credit and weight (despite her thin frame) than the former. It was in large part thanks to Lili Anolik that Babitz … Continue reading Ingmar Bergman’s Persona Incarnate: Didion & Babitz by Lili Anolik

Genna Rivieccio2 Comments
Criticism

What If The Year of Magical Thinking Is Actually A Book About the Hazards of Codependency?

Earlier this year, Sloane Crosley released a book called Grief Is for People. Detailing the loss of her close friend and mentor, Russell Perreault, it is, in many ways, a spawn of Joan Didion’s The Year of Magical Thinking (this connection can be read about more in-depth in the Vol. 37 issue of The Opiate). Crosley, accordingly, is not shy about referencing it a few … Continue reading What If The Year of Magical Thinking Is Actually A Book About the Hazards of Codependency?

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Criticism

Fire Crotch Embraces Her Heritage (And Little Else) in Irish Wish: A Tate Carmichael Review

The following is a review of Irish Wish by Tate Carmichael, author of her own 00s-related Burn Book, Lindsay Lohan Stole My Life. Reader discretion is advised.  Okay, so I know Lindsay, like, dispensed with her dignity somewhere between banging Wilmer Valderrama and not paying her Chateau Marmo bill ‘cause she was (/is) poor, but I guess I continue to be blindsided by the depths … Continue reading Fire Crotch Embraces Her Heritage (And Little Else) in Irish Wish: A Tate Carmichael Review

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