Although George Orwell’s most indelible novel (for the average person), Nineteen Eighty-Four, is held up as the ultimate masterwork on how repressing people to the point of docile muteness will lead to nothing but, well, collective bovine stupidity, there exists another “tome,” if you will, on the matter. And it is Marco Brambilla’s 1993 movie, Demolition Man. Released the same year as Last Action Hero, it was theoretically … Continue reading Demolition Man Imagined the Censored, Sexless Future As Much As Nineteen-Eighty Four