December 16, 1974. Woody Allen is fast rising in the film industry on his own terms, then most freshly with 1973’s Sleeper, which would establish 1) his inimitable screenplay concepts and 2) an enduring artistic partnership (after a romantic one from 1970 to 1971) with Diane Keaton for the rest of the 70s that would lead to the immortal Annie Hall. Having already gotten his … Continue reading The Chauvinism of Woody Allen’s “The Whore of Mensa”