If Christian Kracht’s debut novel, Faserland, was considered a “rip-off” of Bret Easton Ellis’ general style, Eurotrash would also like to submit itself for consideration. After all, its autofiction genre is very much in keeping with what Easton Ellis did for 2005’s Lunar Park (back when “metafiction” was the chicer word to use). And while most people associate BEE with Less Than Zero (which also, … Continue reading Christian Kracht’s Eurotrash: Another Bret Easton Ellis-Style “Romp” That Examines the Guilt of Privilege—and How That Guilt Ultimately Serves Nothing But the Status Quo