Like many pop stars who weren’t yet pop stars in the early 2000s, Britney Spears was both an inspiration and a cautionary tale to someone like MARINA. Her influence undeniable on every millennial from Taylor Swift to Charli XCX. In 2021, MARINA paid homage to that influence in a “justice for Britney” sort of way with the “Purge the Poison” lyrics, “2007/When Size 0 was … Continue reading Not A Girl, Finally A Woman: MARINA’s Eat the World
As trouble in “paradise” inevitably keeps mounting for the Bradshaw/Shaw reunion, it was plain to see that things were already going to be majorly problematic when Aidan’s (John Corbett) ex-wife, Kathy (Rosemarie DeWitt), called Carrie (Sarah Jessica Parker) to arrange a little sit-down. Although she tried to tell herself (and her friends) it wasn’t weird, Carrie is no stranger to the uncomfortable revelations that arise … Continue reading On That And Just Like That… Moment, Or: Asking A Writer Not To Write About Certain People Is A Particularly Egregious Form of Censorship
East Coastians would likely balk at the term “California literature” as being an oxymoron. And yet, that’s precisely what Joan Didion carved out for herself as a genre. Yes, there were others who had written about California before her—John Steinbeck and Nathanael West come to mind (even Raymond Chandler, for the less hoity-toity)—and all just as negatively through the guise of “poetic darkness.” But none … Continue reading Is It the End or the Beginning of California Literature Now?
There aren’t many authors left whose long-awaited work you can continue to yearn for while they promise that “maybe” “one day” it will come. All of these types of writers hailed from the twentieth century (including J. D. Salinger, half-taunting his readers with the prospect of releasing his next Glass family saga every so often before finally kicking the bucket). Whereas a writer trying to … Continue reading “Is That the Blue You’re Using?”: Eve Babitz and the Undermining of the “Didion Approach” to California
Even someone as “harmless” and carefreely narcissistic as Eve Babitz might not have made it in today’s literary scene. As her resurgence reached a crescendo in 2018, with Emma Roberts touting Sex and Rage as her book club choice (oy vey) for the summer of ’17 and Counterpoint re-issuing a lesser known work called Black Swans the year after, on the heels of the rediscovered … Continue reading Eve Babitz and the Trouble With Taquitos
As the increasing fascination with Los Angeles persists (all the while with New York City becoming less au courant as a place to lust after in terms of inhabitance), it seems appropriate that Eve Babitz would experience a sudden renaissance after many decades spent under the radar. Her obvious counterpart, Joan Didion, is a darker, more brooding version of Babitz (as showcased in Play It … Continue reading Eve Babitz’ Slow Days, Fast Company: A Lighter Version of Play It As It Lays
