Tag: Joan Didion

Essay

The Literary Inspiration Behind Olivia Rodrigo’s “All-American Bitch”

With the release of Olivia Rodrigo’s sophomore album, Guts, there’s been a palpable shift in her lyrical style to that of the, let’s call it, “Lana Del Rey variety.” Not just because titles like “all-american bitch,” “the grudge” and “girl i’ve always been” smack of the Del Rey brand, but because she’s taken a more literary route on the first track mentioned (which also happens … Continue reading The Literary Inspiration Behind Olivia Rodrigo’s “All-American Bitch”

Genna Rivieccio2 Comments
Essay, Writing and Pop Culture

On That And Just Like That… Moment, Or: Asking A Writer Not To Write About Certain People Is A Particularly Egregious Form of Censorship

As trouble in “paradise” inevitably keeps mounting for the Bradshaw/Shaw reunion, it was plain to see that things were already going to be majorly problematic when Aidan’s (John Corbett) ex-wife, Kathy (Rosemarie DeWitt), called Carrie (Sarah Jessica Parker) to arrange a little sit-down. Although she tried to tell herself (and her friends) it wasn’t weird, Carrie is no stranger to the uncomfortable revelations that arise … Continue reading On That And Just Like That… Moment, Or: Asking A Writer Not To Write About Certain People Is A Particularly Egregious Form of Censorship

Genna RivieccioLeave a comment
Essay

This Ain’t Joan Didion’s Sacramento (And It Never Was)

Is there a chance that California’s capital is crying out in some way for its dead daughter? The only so-called “high-value star” of its show? Is that why the town—usually referenced solely as a footnote to where Didion is from—is now only being mentioned on an international scale for serving as the site of a second mass shooting in the span of a month? It’s … Continue reading This Ain’t Joan Didion’s Sacramento (And It Never Was)

Genna RivieccioLeave a comment
Essay

Is It the End or the Beginning of California Literature Now?

East Coastians would likely balk at the term “California literature” as being an oxymoron. And yet, that’s precisely what Joan Didion carved out for herself as a genre. Yes, there were others who had written about California before her—John Steinbeck and Nathanael West come to mind (even Raymond Chandler, for the less hoity-toity)—and all just as negatively through the guise of “poetic darkness.” But none … Continue reading Is It the End or the Beginning of California Literature Now?

Genna RivieccioLeave a comment
Criticism

Joan Didion Knows Where to Cut: Plucking Flowers With “Pretty Nancy”

The excitement surrounding Joan Didion’s release of a “new” book called Let Me Tell You What I Mean needn’t be mitigated by the fact that it is a collection of older essays (previously unreleased, therefore everything old is new again), gathered from 1968 to 2000. For Didion is perhaps at her most signaturely eviscerating during this period, and one wonders if a release of truly … Continue reading Joan Didion Knows Where to Cut: Plucking Flowers With “Pretty Nancy”

Genna Rivieccio1 Comment
Criticism

The Abandonment of California by Joan Didion: A Comparative Glance at Run River and Where I Was From

In an alternate universe, perhaps Joan Didion herself might have become some version of Lily Knight, the dissatisfied, cuckolding Sacramento girl who couldn’t seem to fathom how to be a good wife to the man who loved her. Without her writing talent as a ticket out of town, Didion could have easily become just another Golden State tragedy, damned to a lifetime of complacence and … Continue reading The Abandonment of California by Joan Didion: A Comparative Glance at Run River and Where I Was From

Genna Rivieccio2 Comments
Criticism

Eve Babitz’ Slow Days, Fast Company: A Lighter Version of Play It As It Lays

As the increasing fascination with Los Angeles persists (all the while with New York City becoming less au courant as a place to lust after in terms of inhabitance), it seems appropriate that Eve Babitz would experience a sudden renaissance after many decades spent under the radar. Her obvious counterpart, Joan Didion, is a darker, more brooding version of Babitz (as showcased in Play It … Continue reading Eve Babitz’ Slow Days, Fast Company: A Lighter Version of Play It As It Lays

Genna RivieccioLeave a comment