Everything Is Copy: The Nora Ephron, and Now, Lily Allen Philosophy

As the discussion surrounding Lily Allen’s fifth album, West End Girl, continues to set tongues wagging, it bears reminding the masses that Allen is hardly the first woman to speak so candidly about the dissolution of a marriage as a result of a cheating husband (though, in David Harbour’s case, the fact that he managed to still cheat by violating the rules of his open … Continue reading Everything Is Copy: The Nora Ephron, and Now, Lily Allen Philosophy

On That And Just Like That… Moment, Or: Asking A Writer Not To Write About Certain People Is A Particularly Egregious Form of Censorship

As trouble in “paradise” inevitably keeps mounting for the Bradshaw/Shaw reunion, it was plain to see that things were already going to be majorly problematic when Aidan’s (John Corbett) ex-wife, Kathy (Rosemarie DeWitt), called Carrie (Sarah Jessica Parker) to arrange a little sit-down. Although she tried to tell herself (and her friends) it wasn’t weird, Carrie is no stranger to the uncomfortable revelations that arise … Continue reading On That And Just Like That… Moment, Or: Asking A Writer Not To Write About Certain People Is A Particularly Egregious Form of Censorship

Why More Writers Need to Take A Page From Nora Ephron’s Book

Nora Ephron: journalist, essayist, novelist, screenwriter. There’s no writing medium she didn’t conquer. And through it all was the Ephron aphorism “everything is copy,” meaning: if you suffer a trauma, use it. Any slight, any sadness, any bad day–just channel it onto the page and not only will you experience release, but probably a piece of prose that’s more meaningful than most of the schlock … Continue reading Why More Writers Need to Take A Page From Nora Ephron’s Book