Rachel Cusk’s Life of M is Less a Takedown of Natalie Portman and More an Illumination of the Hollowness of Celebrity Itself

Throughout the twentieth century and for most of the twenty-first thus far, the quest to become famous has remained a common goal among the starry-eyed and attractive (even if only “by small-town standards”). In fact, one could argue it has for so long been presented as the foremost goal not just because of fame’s erstwhile association with wealth, but because “who wouldn’t want their name … Continue reading Rachel Cusk’s Life of M is Less a Takedown of Natalie Portman and More an Illumination of the Hollowness of Celebrity Itself

The Writer & The Characters He Bases Himself On: A Self-Fulfilling Prophecy

An introduction to Françoise Sagan’s Bonjour Tristesse and A Certain Smile by Rachel Cusk highlights one of the foremost problems a writer must contend with in life: an inability for his or her reader to separate author from character, which ultimately becomes a challenge for the author to do as well. Especially when he or she has cultivated a certain “shtick,” if you will–à la Philip … Continue reading The Writer & The Characters He Bases Himself On: A Self-Fulfilling Prophecy