In Prague there is a forty-five-tonkinetic head of Kafka that rotatesaround in segments allowingthe face to keep creating itselfto focus on different viewsof the town square as a fitting tribute to the manwho worked right thereknown for turning a discontentedclerk into a bug while he slept he is now stuck in this revolvingweight, still showing ustransformation has its limitationswhen someone else decides wherewe will be … Continue reading Composition by Susan Shea