Long before Lana Del Rey made the word and concept of “Daddy” her bitch, there was Jewel with a song from 1995’s Pieces of You called “Daddy.” And long before her, there was, of course, Sylvia Plath. With a poem called, you guessed it, “Daddy.” One that would become among her most illustrious and frequently cited, especially by women who could feel the same pain. … Continue reading Jewel’s “Daddy” Would Not Exist Without Sylvia Plath’s
On what marks the sixtieth anniversary of Marilyn Monroe’s death (a suicide, an accident or a murder, depending on who you ask), there seems to be more interest than ever in the icon that captivated the world and incited a sexual awakening within a repressed American culture. From Kim Kardashian effectively dancing on Marilyn’s corpse by forcing her ass to squeeze into the Jean Louis … Continue reading Why Marilyn Monroe and Sylvia Plath Go Hand in Hand
While France prides itself on being a nation of liberté, the unspoken caveat is that one usually needs to be a man to enjoy such liberté. The feelings of “retro-ness” that women in the country have long felt, whether about gender or racial discrimination (see: Virginie Despentes’ recent comment on the discrepancy between those affected by COVID-19), has reached such a fever pitch that they’ve … Continue reading Moi les hommes, je les déteste: A Confluence of Misogyny-Based Censorship in France
Of course it’s no coincidence that Sylvia Plath wrote an allegorical tale about heading to purgatory via train just months before her first suicide attempt at the age of twenty. While Plath’s mother, Aurelia, was brought up Catholic, Plath herself seemed only to flirt with the religion for different, largely erudite reasons throughout her lifetime, using it for the purpose of Mary Ventura and the … Continue reading Off the Rails: Sylvia Plath’s Mary Ventura and the Ninth Kingdom
An introduction to Françoise Sagan’s Bonjour Tristesse and A Certain Smile by Rachel Cusk highlights one of the foremost problems a writer must contend with in life: an inability for his or her reader to separate author from character, which ultimately becomes a challenge for the author to do as well. Especially when he or she has cultivated a certain “shtick,” if you will–à la Philip … Continue reading The Writer & The Characters He Bases Himself On: A Self-Fulfilling Prophecy
